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Martin Johnson Heade American
1819 - 1904
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Marsh Sunset
1860-1861
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Oil on Canvas |
19 x 31 inches, framed
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Signed lower right "M J Heade"
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Category: |
Paintings - American |
Era: |
19th Century |
Style: |
Luminism |
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MARTIN JOHNSON HEADE (1819-1904) "Marsh Sunset," c. 1860-61 Oil on canvas 10.25 x 22.25 inches 19 x 31 inches with period frame Signed lower right "M J Heade"
PROVENANCE The artist to His dealer, Miss Weeks, Philadelphia, 1860s, to Private collection, Chester, Pennsylvania, by 1870 By descent in the family to Vance Jordan, New York to Private collection, New England
RELATED LITERATURE Theodore E. Stebbins, The Life and Works of Martin Johnson Heade. New Haven: Yale University Press, 1975, pp. 42-56.
Noted Heade expert, Dr. Theodore E. Stebbins, Jr., of the Harvard University Art Museums and The Martin Johnson Heade Catalogue Raisonne Project, has authenticated and admired this painting.
CONDITION "Marsh Sunset" is in excellent condition. The canvas bears its original stretcher. The surface of the canvas is smooth and lustrous. There is no restoration beyond 2 small dots along the upper frame edge. Importantly, the conservator has found that: "All of Heades glazes are in perfect state."As a result of the pristine condition, this magnificent Luminist painting is astonishingly responsive to light and dynamic. The elegant frame is of the period, distinctive and very well suited to the painting.
"Marsh Sunset" by Martin Johnson Heade is a rare masterpiece of American painting. This luminous gem is in excellent condition with a gorgeous period frame. The painting enjoys a concise and distinguished provenance. Encompassing all of Heade's signature elements, the receding marshland, the winding river, the haystacks, the billowing clouds on the flat horizon and the radiant sun reflecting on elongated clouds in an expansive blue sky, "Marsh Sunset" is definitive of Heades best-known and most highly regarded landscape painting. Heade expert, and former Director of the Museum of Fine Arts Boston, Ted Stebbins has indicated the location is Newburyport, a favored scene. Because the painting dates to 1860, it displays the full color spectrum and eschews any of the maudlin elements (abandoned hay wagons, wagon wheels in decay) that appear in the later, Civil War year paintings. Exultant and robust, this image of the American landscape is an outstanding and rare example by the American Master.
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